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T. S. Eliot famously described The Moonstone as the first, the longest and the best of modern English detective novels, but as Sandra Kemp discusses in her Introduction, it offers many other facets, which reveal Collins's sensibilities as untypical of his era. His women and servants--like the luckless Rosanna--are trated as individuals capable of anger and passion. He unmasks a restrictive society in his depiction of sexual and imperial domination. Finally through his manipulation of the narrative itself, facts, identities and memory become question marks. With constantly shifting perspectives, the marvellously intricate mystery of the Moonstone unfolds.
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